Laterna Danica by Jørgen Buchwald for Nordlux, Late 1960s–70s

In the 1960s and 70s, Europe was still lit by blinding incandescent bulbs. The bulbs were hot, exposed, and created direct, harsh light that fell on every table and corner of the room. In Scandinavia, where winter is long and the home is the center of life, it was clear that light must be soft, diffused, and easy on the eyes. Thus was born the "hidden bulb" revolution—a conceptual shift that emphasized light quality, not just quantity. Poul Henningsen was the first to turn this into a real engineering system. He designed systems of white metal layers at precise angles that break and filter light so it becomes soft, balanced, and glare-free. His PH lamps became the foundation for a new concept of domestic lighting. During those same years, a young engineer named Jørgen Buchwald explored the same principles and offered his own interpretation: Laterna Danica. A multi-layered, clean, and graphic lamp that produces uniform, soft light without exposing the bulb itself. Its success was immediate. It sold throughout Denmark, entered many homes, and began competing directly with Louis Poulsen's PH lamps. This led to a dramatic legal case: Is Laterna Danica allowed? Is it a copy? Can the same light engineering be used? Denmark followed the trial closely. Finally, it was determined that the similarity was only in principle and there was no formal identity between the models—therefore Laterna Danica stands in its own right as an independent creation, not a copy. The lawsuit made it even more popular, and it entered Danish lighting history as an important model of multi-layer design. Buchwald's lamps are made of thicker, stronger metal than the thin aluminum of some period models. They are minimalist, clean, and very beloved today in Japan—one of the strongest collector markets for Scandinavian lamps. This identical pair was perfect for creating a uniform light line above a kitchen island, in a long entrance hallway, or above a rectangular dining table.

Details